Motion Graphics
Project: 24 Hours in the Past — Victorian Period Series
Client: BBC
Company: Endemol Shine
Role: Title Sequence Concept & Motion Graphics Animation
​
The role was to develop the concept and animation for the opening title sequence, creating a visual introduction that immerses viewers in the atmosphere of Victorian Britain. The role involved translating the tone and historical context of the series into a short animated sequence that would feel both authentic to the period and engaging for a modern audience. The goal was to create an introduction that feels handcrafted and historically grounded combining traditional illustrative aesthetics with contemporary motion design.
Storyboards
Project: Evidence of the Unexplained
Company: WAG Entertainment
Role: Motion Graphics & 3D Animator
A range of motion graphics and 3D animation sequences were designed to visually support the investigative narrative of the series. The role involved developing individual shots like cinematic reconstructions, technical visualisations, global maps, atmospheric environments that help illustrate events and theories explored in each episode.
​
Full Episodes: https://www.blaze.tv/series/evidence-unexplained
Project: Vital Hero Digital Monster
Client: Bandai
Company: Havas
Role: Motion Graphics & 3D Animator
The approach focused on capturing the speed and excitement of the product experience. Inspired by anime action sequences, the design developed into a kinetic speedline-style transition and dynamic motion graphics that amplify the sense of energy and progression. Also animated were 3D creatures inspired by the Digimon universe, integrating them into the environment alongside match-moved HUD graphics that visualise stats, power levels, and in-game interactions.
Project: Enhanced Oil Recovery (EOR) Explainer Videos
Client: BP
Company: KBW
Role: Motion Graphics & 3D Animator
The role was to design and produce a series of visual assets that simplify complex industrial processes. This included animating 3D molecular interactions, constructing wireframe deep-sea environments, and 3D modelling both in wireframe and full-colour oil rig animations positioned on ocean surfaces. The role also required modelled and animated rotating cutaway land masses to illustrate underground reservoirs and demonstrate how the Enhanced Oil Recovery (EOR) process works beneath the surface. To reinforce the technical narrative, included was match-moving HUD-style graphics that highlight key data points and stages of the process.
Project: Product Promotional Video
Client: Jabra
Company: Iris Worldwide
Role: Motion Graphics, 3D Animator & Colour Grading
Vector-based motion graphics were created to shape the overall visual finish of the piece. Clean, brand-aligned graphic assets and text overlays were designed to clearly communicate product features while maintaining a sleek, modern aesthetic. Colour grading was applied across all product shots to ensure visual consistency and enhance the premium feel of the audio devices. A CAD model was converted into a fully textured 3D asset and animated to showcase the product’s design, including an exploded view sequence where components separate and reassemble before closing neatly into its case.
Project: Travel & Holiday Segment Intro
Company: ITV
Role: Concept Development, Storyboarding & Motion Graphics
This project involved creating an intro concept for a travel and holiday segment for ITV Broadcast, designed to quickly establish tone and destination-driven storytelling within a short runtime. The role included developing an initial concept and producing a simple but concise storyboard to map out the visual flow and pacing of a 10-second intro card sequence.
![Beach vibes and bright dreams [col] 02.png](https://static.wixstatic.com/media/4e1909_460b1264412d45a0a66e4260334dba77~mv2.png/v1/fill/w_432,h_289,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/Beach%20vibes%20and%20bright%20dreams%20%5Bcol%5D%2002.png)
Project: Broadcast Graphics Package
Company: ITV
Role: Motion Graphics & Broadcast Design
This project involved creating a range of broadcast elements for live television, designed to support fast-paced production workflows and on-air clarity. The role focused on delivering high-quality graphics under tight turnaround times while maintaining consistency across all visual assets. Deliverables included programme openers (title sequences), bumpers and stingers, wipes and transitions, full-screen explainer graphics, and lower thirds. Each element was designed to be clear, adaptable, and visually cohesive, ensuring seamless integration within live broadcast environments.
Below is a selection of broadcast elements showcasing a range of styles, formats, and on-air applications.
Project: Flex’s Kitchen — Comedy Mini-Series
Client: Channel 4
Company: Jonny Kight Studio
Role: Motion Graphics & Asset Creation
The project involved creating a suite of visual assets for Channel 4’s short-form comedy Flex’s Kitchen, a mini-series for digital platforms. Deliverables included custom text overlays, as well as intro and outro title cards across five episodes. In addition, a complex 3D HUD-style graphic was designed to simulate the inner point-of-view of a sentient microwave oven.
Project: Services Explainer Video
Client: Accenture
Company: Tag Worldwide
Role: Motion Graphics Animation
This project involved producing a motion graphic explainer video for Accenture, focused on communicating its range of services through a polished and engaging visual narrative. The role centred on animating a series of pre-designed style frames, animating through dynamic transitions and purposeful motion and to emphasise key data points and messaging.
Enlarge